The two dimensions of Classic Turkish poetry are word and sense. Sense as a component which adds a value to the poem has strengthened its role in the poem by the influence of Sebk-i Hindi since the seventeenth century. The language of poetry loaded with sense and short in word and the desire for expressing a lot with a few words has presented new usages to the poet. The connotations of the words create a world of images and a language of poetry rich in sense. This richness opens the door of the world which implies the invisible beside the visible. The reader reaches the magical world of poetry as if he solves a riddle. This "open secret" existing in the poem and concealed in the symbols brings in another value to the interpretation of the poem. In this article, the lyric poem with "fire" redifof§eyh Gdlib who is the most impressive voice and the last representative of the Classic poetry is interpreted in the world of images and his contributions to the Classic poetry tradition are discussed.