Spatial design is a paradoxal affair. Concepts are mental due to their structures, and there is a need for representation to 'be' in the physical world. Perception, which is a temporal phenomenon that is ac- cepted as a reality in spatial design, for user actions, it includes the skill of representing the concept by transforming into a spatial phenomenon and interpreting the space. A form is shaped by the order of the textures it is formed of. It is the texture created by user-based meaning layers together with the physical textures that shape the spatial forms. Eventhough it is necessary to make a design through a special expectation, it is a kind of stalactite to choose a discourse that has an existing design and to standardize the symbolic meaning with its own aesthetic value or to put it into its existing meaning. Because when design is defined as 'associating concepts with facts through actions', everything re- quired can be ignored through design parasitics, even the subject itself can be forgotten. In one hand, spatial design is a place where symbolic impossibility is abandoned by abandoning its function through the concept of representation, while establishing a relationship that is controlled and reflected in an 'euthanasia' where the person can be compared with himself by taking part in the 'social bond'