The imaginary dimension of the design action; both physical and mental structures of representation forms contain antinomic layers. Concepts are mental due to their nature and need representatives to be 'in the physical universe'. The main function of a symbol; it is to point observers at something other than itself, to remind something, to show something other than itself. On the other hand, the design product as a representation form; it is also an arrangement that makes the definition of belonging as an objective. The fact that the relationship between any design and the human mind gains an icon dimension creates an extremely strong associative bond between its meaning and its symbol. This bond; those who make sense of images or provide an understanding of images are not the structures of representation, but also the necessity of working with a vast infrastructure (according to the type of representation) hidden in the mutual relations established with these structures.