Mehmet Günsür, one of the notable figures of modern Turkish storytelling, is one of the short story writers who keeps the distance between his life and his art as short as possible. He reflected a short but intense life to his stories with his own language and expression. In the eighteen stories of Who is Looking Inside?, all the possibilities of literary language are compatible with each other. The sensitive and melancholic personality traits of the characters are symmetrical with the atmosphere of the stories. In a story under a sense of sadness, for example, narrative techniques do not merely convey this sadness; also produces. The organic unity and poetic texture of the stories in terms of form and content suggest that narrative techniques are used consciously. The source of literary originality in Günsür’s stories should be sought in this attitude of language and expression. The subject of this article is the close reading of the story book named “Who is looking inside?” in the context of the narrative techniques it contains.