Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine
Yıl: 2019 Cilt: 0 Sayı: 32 Sayfa Aralığı: 38 - 53 Metin Dili: Türkçe İndeks Tarihi: 15-10-2020
Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine
Öz: Bu makale Mathieu Kassovitz’in yönetmenliğini üstlendiği La Haine (1995) adlı filmi Bakhtin’in “heteroglossia” kavramı özelinde analiz etmektedir. Heteroglossia kavramıyla“dil, belirli ideolojik inanç sistemlerinin temsil edildiği bir sosyal söylemler alanı olarak”(Morris, 2003: p. 73) tanımlanmaktadır. Avrupa’yı sarsmaya devam eden mülteci krizinin, yükselen İslamofobinin ve yabancı düşmanlığının gölgesinde film güncelliğini,dolayısıyla sosyal ve politik önemini korumaktadır. Film, teması ve merkezi karakterleriitibariyle, “diyasporik sinema”, “beur sinema”, “banliyö sineması” ve “Fransız sineması”gibi ceşitli tanımlayıcı kategoriler içinde değerlendirilebilmektedir. Fakat çalışma kapsamında, Fransız sineması ve banliyö sineması bağlamı içinde, çok sesli, çok dilli biranlatı olarak özellikle filmsel metnin kendisine odaklanılmaktadır. Bu doğrultuda, filmdeki karakterlerin ifadeleri ve bu ifadelerin sosyal ve kültürel yananlamları/çağrışımlarıbaz alınarak, sanayi sonrası ve sömürgecilik sonrası Fransa’da bu karakterlerin nasılbirer “öteki” olarak çerçevelendiği analiz edilmektedir. Yapılan detaylı metin analizi, bugörsel işitsel anlatının çok katmanlı yapısını vurgulayacak şekilde farklı “heteroglossia”kullanımlarının varlığını göstermektedir.
Anahtar Kelime: Heteroglossia in and of Film: La Haine
Öz: This article evaluates the film La Haine (1995) directed by Mathieu Kassovitz with specific reference to the Bakhtinian concept of “heteroglossia”. The term addresses “language [as] perceived [and] stratified through and through into multiple social discourses each representing a specific ideological belief system” (Morris, 2003: p. 73). The film is still socially and politically significant and relevant especially in relation to the refugee crisis, the increasing xenophobia and islamophobia that continue burdening Europe today. The film can be considered under the rubrics of diasporic cinema, beur cinema, banlieue cinema and French cinema based on its thematic concerns and its central characters. This article, however, particularly focuses on the work itself as a heteroglot, polyglot utterance in the contexts of French film and banlieue film. Secondly, it analyses the framing of the characters as Others in the context of post-industrial, post-colonial France by focusing on their utterances and the social and cultural connotations of these utterances throughout the film. The close textual analysis reveals that there are several registers of heteroglossia detectable in this audio-visual narrative, underlying its multilayered character.
Anahtar Kelime: Belge Türü: Makale Makale Türü: Araştırma Makalesi Erişim Türü: Erişime Açık
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| APA | Tunç Cox A, Jaïdane O (2019). Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. , 38 - 53. |
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| IEEE | Tunç Cox A,Jaïdane O "Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine." , ss.38 - 53, 2019. |
| ISNAD | Tunç Cox, Ayça - Jaïdane, Oumaïma. "Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine". (2019), 38-53. |
| APA | Tunç Cox A, Jaïdane O (2019). Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. Akdeniz İletişim, 0(32), 38 - 53. |
| Chicago | Tunç Cox Ayça,Jaïdane Oumaïma Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. Akdeniz İletişim 0, no.32 (2019): 38 - 53. |
| MLA | Tunç Cox Ayça,Jaïdane Oumaïma Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. Akdeniz İletişim, vol.0, no.32, 2019, ss.38 - 53. |
| AMA | Tunç Cox A,Jaïdane O Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. Akdeniz İletişim. 2019; 0(32): 38 - 53. |
| Vancouver | Tunç Cox A,Jaïdane O Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine. Akdeniz İletişim. 2019; 0(32): 38 - 53. |
| IEEE | Tunç Cox A,Jaïdane O "Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine." Akdeniz İletişim, 0, ss.38 - 53, 2019. |
| ISNAD | Tunç Cox, Ayça - Jaïdane, Oumaïma. "Filmde Heteroglossia, Filmin Heteroglossia’sı: La Haine". Akdeniz İletişim 32 (2019), 38-53. |
