This study focuses on the works produced by Jake and Dinos Chapman through the works of Francisco Goya within the context of reproduction in art. In this context, the relationship between the object of art and reproduction was first investigated in the text. Although changing and transforming something and making it something else are basically perceived as the loss of memory, remaking and production make memory a current issue again. That object that has come to these days again with the memory it has also changes the context of meaning. Meaning ceases to be single, and it primarily has a secondary meaning which leads to ongoing formation of numerous meanings. Therefore, the work of art has a multiple phoneme within the context of reproduction. What it says creates a distance, in this sense, the contemporaneity of the work is brought up for discussion. It is seen that the Chapman started production with variations based on Goya's gravure series "Disasters of War". They also discuss the problems under modern art and Enlightenment philosophy while tearing the work from its context. Thus, while the works of Goya are replaced, they become visible again with a temporal difference. However, the object of art that the Chapman brought up for discussion again gains a distance between the work independent of Goya and the time of the work.