In addition to the temperamental qualities that the artist is born with as a human being, the relationships that he/she cannot establish with his environment, especially in childhood and adolescence, are directly related to his creation.There are differences in structural and thematic integrity between what an ego that has adapted with superego produces and what another ego that has not been able to balance produces . The first thing that stands out in a chronological reading from Can Yucel's first poem to his last poem is that the subject in the poems begins to move away from the increasingly marginalized sense of beauty and beauty.This makes us think that he is in a superego-ego mismatch – which we are talking about.It is as if the subject in the poems has formed a defense against the beautiful and has started a war.This attitude, which is taken intentionally, should be related to the extraordinary path found by the poet who is looking for a unique form of existence when building egos.On the other hand, considering the aesthetic principles of the type of poetry, it is not easy to say that a poet has nothing to do with beauty in a way that is adverse to his profession.This contrasting situation, reflected in almost every poem of the poet, is one of the most prominent aspects of his poetry aesthetic. It is worth noting first that the aim of this study is not to analyze Can Yucel's psychology or to link his poems to his psychology.The aim is to reveal how intensely this example appears in his poems and that his aesthetic is one of the building blocks.