In the global age in which we live with a dynamic identity concept, identity should be viewed as an indicator that can change and be reconstructed over time to understand multiple attachments. The reason for this transformation is that the individual can create a domain of existence with multiple identities in such a world whose boundaries are getting blurred. Contemporary artists discuss identity and dressed identity patterns within the possibilities of interdisciplinary discourse, as well. As of 1980, identity representations have been interpreted differently from previous periods in various disciplines, primarily in visual arts. The textual content narrative language has the nature of being a new proposal instead of the practice of reading and expressing the identity issue with certain social dynamics. This article analyzes the action area of identity and identity representations in contemporary art and evaluates how artistic practices in which writing is used as a tool to address identity formation. After presenting an overview of the theoretical dimension of the identity and identity representations, the research was carried out to analyze and evaluate identity representations through the works of artists from contemporary art. Through visual analyses, work interpretations, and literature review, the works of artists who choose writing as a method representing the language are positioned in contemporary art.