It's natural that the private life of the artist reflects in the artistic life. Private life is also dynamic of art production. What is described as private life is the great combination of temperamant, upbringing, education and experience. The environment and the period also shape this life. The influence of the artist's personality, perspective, psychology and ideology on his art cannot be ignored. In short, life and personality seals the work. In this respect, the work of art is a structure filled with psychological, biographical, sociological, political and aesthetic donnee. In this context, it is useful to examine the stories of Ömer Seyfettin; because the stories that bear the traces of his childhood to adulthood, his military service to teaching, also explain the psychology, ideology and understanding of the artist. In this article, to what extent the author’s biography reflects through the stories; the types in the stories will be discussed and the relationship between the author's psychology, perspective and the ideology is examined. Such a study undoubtedly benefits from the views of psychoanalytic literary theory. Therefore the dreams and archetypes in the stories are also be mentioned. These stories which are full of defense mechanisms, remorses, unconscious and mass psychology, will help to understand the volume, breadth and richness of the dimension, scope and quality features of literary works, as well as knowing the author. In the article, previosly unknown information concerning the artist was found, what his art was fed with and how his sources of inspiration were determined. Stories are manifestly manifested in the personal and collective unconsciousness.