In most of his stories, Cemil Kavukçu deals with the problems encountered by modernized individual in daily life, as a theme. Loneliness, estrangement, breaking with traditional values, longing for the past are some of these themes. One of the first story books of Kavukçu, Yalnız Uyuyanlar İçin, reflects many issues that Turkish literature has kept on the agenda for more than a century, pursuant to the political and social structure of the 1990s. In his stories, the author fictionalize individuals who begins to connect a bond with the past while having a cultural memory loss and who wants to understand cultural, moral and religious values of the society he lives in while estranging to those. He tries to explain the issues he deal with in his stories with an impartial point of view. For this reason, he often chooses storytellers among their heroes. Her long story, Yüzünüz Kuşlar Yüzünüz, first published in 2017, shows that the author pays special attention to narration technique. The author tries to determine the boundaries between real life and literature in his work, Örümcek Kapanı, in which he indited his notional thoughts about story. He exemplifies through his experiences that not every cases that are encountered by people in real life is suitable to be narrated. In this article, it will be focused on the characteristics of the "narrator" in Cemil Kavukçu's story books “Yalnız Uyuyanlar İçin” and “Yüzünüz Kuşlar Yüzünüz”, who forms the story fiction and is in a way the spokesperson of the world that the author constructs with words.