Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence
Yıl: 2021 Cilt: 5 Sayı: 1 Sayfa Aralığı: 31 - 46 Metin Dili: İngilizce DOI: 10.33906/musicologist.885272 İndeks Tarihi: 29-07-2022
Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence
Öz: This paper proposes a relational model for electroacoustic compositionpractice. In the model, relationality focuses on perspectives of responseability of the composer with more-than-human agents, within anentangled sympoietic musical space. Here, the response-practices arebuilt on acts of listening that entail, aural analysis and embodiedpractice with material objects. Within the scope of this paper, morethan-human agents are narrowed down to only recorded sounds (fixedmedia sound files) and physical material objects.In investigating such response-able compositional practices, the modelfollows Post-humanist and New-materialist strands focusing on variousconcepts proposed by Karen Barad and Donna Haraway. And in doingso, it aims to re-figure some of the conventional discourses about theconcepts of poietic agency, and of multivalence within the compositionpractice.
Anahtar Kelime: Belge Türü: Makale Makale Türü: Araştırma Makalesi Erişim Türü: Erişime Açık
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| APA | uçanok f (2021). Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. , 31 - 46. 10.33906/musicologist.885272 |
| Chicago | uçanok fulya Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. (2021): 31 - 46. 10.33906/musicologist.885272 |
| MLA | uçanok fulya Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. , 2021, ss.31 - 46. 10.33906/musicologist.885272 |
| AMA | uçanok f Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. . 2021; 31 - 46. 10.33906/musicologist.885272 |
| Vancouver | uçanok f Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. . 2021; 31 - 46. 10.33906/musicologist.885272 |
| IEEE | uçanok f "Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence." , ss.31 - 46, 2021. 10.33906/musicologist.885272 |
| ISNAD | uçanok, fulya. "Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence". (2021), 31-46. https://doi.org/10.33906/musicologist.885272 |
| APA | uçanok f (2021). Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. Musicologist: An International Journal of Music Studies, 5(1), 31 - 46. 10.33906/musicologist.885272 |
| Chicago | uçanok fulya Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. Musicologist: An International Journal of Music Studies 5, no.1 (2021): 31 - 46. 10.33906/musicologist.885272 |
| MLA | uçanok fulya Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. Musicologist: An International Journal of Music Studies, vol.5, no.1, 2021, ss.31 - 46. 10.33906/musicologist.885272 |
| AMA | uçanok f Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. Musicologist: An International Journal of Music Studies. 2021; 5(1): 31 - 46. 10.33906/musicologist.885272 |
| Vancouver | uçanok f Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence. Musicologist: An International Journal of Music Studies. 2021; 5(1): 31 - 46. 10.33906/musicologist.885272 |
| IEEE | uçanok f "Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence." Musicologist: An International Journal of Music Studies, 5, ss.31 - 46, 2021. 10.33906/musicologist.885272 |
| ISNAD | uçanok, fulya. "Towards a Response-able Electroacoustic Composition Practice: In Search of Sympoietic Multivalence". Musicologist: An International Journal of Music Studies 5/1 (2021), 31-46. https://doi.org/10.33906/musicologist.885272 |
