Adalet Ağaoğlu focuses on the political environment of the March 12 period, the psychological-physical violence events, social conflict, polarization, the reality of torture, a socialist subject’s feeling of guilt, and its internal and external contradictions among all these, in her stories, theater plays and novels written in the 1970s. In her stories written at this period, she discusses the phenomenon of crime, legitimacy of those who set the laws and displays the innocence of those who are declared guilty by the laws. In her story book Yüksek Gerilim (1974), the conflict between the military administration and the revolutionary activists of the March 12 period is reflected, while at the same time discussing the economic violence faced by workers and laborers in the capitalist-bourgeois state and the conditions that pushed them into crime. Thus, the class context of the crime phenomenon is questioned around both political and ordinary crime definitions. In the other story book, Sessizliğin İlk Sesi (1978), she deals with the phenomenon of crime in a more implicit context, mainly in the -context of class conflicts in civilian life, with the influence of the decrease on the hot-conflict environment of the March 12 period. In this article, I will try to show how Adalet Ağaoğlu focuses on the matter of crime in her two story books.