Mehmed Emîn Bey, born in Istanbul in 1862, worked as a civil servant invarious levels of the state and did not fail to deal with literature and art during hisservice. His writings both in verse and prose indicate that the author, who died in1884, was an individual who spent his short life of twenty two years efficientl. Thepoet used the pseudonyms "Aşkî" and "Hümâyî" in his poems that constitute thesource for this paper, yet could not bring these poems together in his lifetime. Withthe encouragement of Muallim Nâcî, the poems were compiled by the poet'sbrother, Mehmed Ali Bey, and published in Istanbul in 1884 under the name ofNevbahârım (My Spring). The majority of the poems in the work consist ofghazals. These ghazals were converted into the form of tahmis and published byManastırlı Rızâ Nûrî in his work named Tahmîsât-ı Nevbahârım after the deathof the poet. The demise of Emîn Bey at a young age was greeted with sorrow in theliterary circles, and eulogistic texts written for and after his funeral ceremony wereappended to the introduction of Nevbahârım. In this paper, Mehmed Emîn Bey'slife and his literary personality will be evaluated through the content ofNevbahârım, and the transcriptions of the poems recorded in that work will beprovided.