Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine
Yıl: 2020 Cilt: 32 Sayı: 32 Sayfa Aralığı: 60 - 79 Metin Dili: Türkçe DOI: 10.16878/gsuilet.604444 İndeks Tarihi: 06-10-2021
Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine
Öz: Simülasyon kavramı popüler olduğu kadar, gerçeklik algısını ters düz ettiğinden oldukça tartışmalıdır. Canlandırma olarak da adlandırılan ve herhangi bir an yada kesitin modellendirilmesi olan diorama da popüler bir uğraştır (hobidir) ve ironikşekilde, fiziksel bağlamda gerçeğin simüle edilmesini niteleyebilir. Sınır bilimi konualan Fringe dizisinde iki farklı evrendeki (paralel evren ve gerçek dünya) yaşam vebireylerin farklı gerçekliklerde resmedilmesi de ütopik bir simülasyondur. Bir sanatniteliğinde olan diorama uğraşı ve Fringe dizisi örnekleri özelinde, gerçeklik simülasyonunun bilgi ve bilime etki eden teknoloji tabanlı olarak düzenlendiği söylenebilir.Bu yüzden bu çalışmada Fringe ve dioramadaki anlatılar hermenötik yöntem ileele alınmış; bilgi, bilim ve teknoloji üçlemesinde evren ve gerçekliğin resmi tartışılmıştır. Çalışmanın amacı, Fringe ve diorama aracılığıyla gerçekliğin bilgi ve bilimüzerinden nasıl düzenlendiği anlamaya çalışmaktır. Sonuç olarak Fringe dizisi ve diorama anlatılarında, gerçeğin ve yaşamın simülasyonunun kendisini devamlı olarak,fiziksel veya ideasyonal biçimde gösterdiği görülmüştür.
Anahtar Kelime: On Reality, Technology and Cosmos Through Fringe and Diorama
Öz: The concept of simulation is not only popular, but also quite controversial, due to the perception of reality is reversed. Diorama, also known as animation, is a popular effort in any moment or cross-sectional modeling, and ironically it may be the simplification of reality in the physical context. In the Fringe series on fringe science, life in two different universes (parallel universe and real World) and the portrayal of individuals in different realities is also a utopian simulation. In this study, narratives in Fringe and diorama have been handled by hermeneutic method; the picture of the universe and reality are discussed in the trio of knowledge, science and technology. The purpose of the study is to try to understand how reality is organized by knowledge and science through Fringe and diorama. As a result, in the Fringe series and diorama narratives, the simulation of reality and life have been seen to show itself continuously, physically or ideationally
Anahtar Kelime: Sur la réalité, la technologie et les cosmos à travers Fringe et diorama
Öz: Tout en étant populaire, la notion de simulation est discutable en raison de son effet inversif sur la perception de la réalité. Le diorama qui est aussi nommé en tant qu’animation et qui est la modélisation d’un instant ou d’une section quelconque est une occupation populaire (un passe-temps) et de manière ironique, il peut qualifier la simulation de la réalité dans le contexte physique. La vie dans deux différents univers (univers parallèle et monde réel) dans la série Fringe traitant la science frange (la science marginale) et la représentation des individus dans des réalités différentes forment une simulation utopique. Dans le cadre des exemples de diorama qui est de qualité artistique et de la série Fringe, on peut dire que la simulation de la réalité est organisée sur une base technologique affectant l’information et la science. En raison de cela, les narrations dans la série Fringe et dans les dioramas ont été analysées dans cette recherche par la méthode herméneutique ; et il a été discuté l’image de l’univers et de la réalité en se référant au trio le savoir, la science et la technologie. L’objectif de cet article c’est d’essayer de comprendre comment la réalité est régulée par le savoir et la science. En conséquence, il a été observé que dans les narrations de la série Fringe et de diorama, la simulation de la vérité et de la vie se montre en continu sous une forme physique ou idéationnelle.
Anahtar Kelime: Belge Türü: Makale Makale Türü: Araştırma Makalesi Erişim Türü: Erişime Açık
- Arendse, P. (2013). Concept of Reality. Philosophy Pathways – Issue 211 – 26th April 2017. URL: http://www.philosophypathways.com/newsletter/.
- Assa, J. & Wolf, L. (2007). Diorama Construction From a Single Image. The Eurographics Association and Blackwell Publishing 2007, 26 (3).
- Baudrillard, J. (1991). The Gulf War Did Not Take Place (1991), trans. P. Patton, Synedy: Power Publications, and Bloomington: Indiana University Press, 1995.
- Baudrillard, J. (1997). “Baudrillard’s List” interview by Rex Butler in Art and Arti-fact. Ed. Nicholas Zurbrugg. London: Sage Publications, ss. 43-50.
- Baudrillard, J. (2011). Simülakrlar ve Simülasyon. (6. Basım), Çev. O. Adanır, Doğu Batı Yayınları: Ankara.
- Benjamin, W. (2002). The Arcades Project. Çev. Howard Eiland, Kevin McLaugh-lin, The Belknap Press of Harvard University Press, Cambridge, Massachusetts, London.
- Boell, S. K. & Cecez-Kecmanovic, D. (2010). Literature Reviews and the Herme-neutic Circle, Australian Academic & Research Libraries, 41:2, 129-144.
- Bronson, Z. (2014). “We Were Trying to Make You More Than You Were” The Singularity, Transhumanism, and Shapeshifting. In The Multiple Worlds of Fringe Essyas on the J. J. Abrams Science Fiction Series, 60-76, Eds. Tanya R. Cochran, Sherry Ginn & Paul Zinder, McFarland & Company, Inc., Publishers, Jefferson, North Carolina.
- Byrne, P. (21.10.2008), “The Many Worlds of Hugh Everett”, https://www.scien-tificamerican.com/article/hugh-everett-biography/, Erişim Tarihi: 20.06.2020.
- Buck-Morss, S. (1991). The Dialectics of Seeing: Walter Benjamin and the Arcade Projects”, Cambridge, London: MIT Press.
- Bukatman, S. (2002). Terminal Identity. Durham and London: Duke University Press.
- Burke, P. (2012). Tarih ve Toplumsal Kuram. (Genişletilmiş 5. Baskı), Çev. M. Tunçay, Tarih Vakfı Yurt Yayınları: İstanbul.
- Cochran, T., Ginn, S. & Zinder, P. (2014). (eds). “Introduction”, The Multiple Wor-lds of Fringe: Essays on the J.J. Abrams Science Fiction Series. McFarland & Company: North Carolina.
- Cooper, P. D. (2015). The Multiverse Paradox: Infinite Parallel Universes Are Im-possible. Cosmology, 2015, Vol. 19. 62-68. Cosmology.com, 2015.
- Coulter, G. (2017). Baudrillard in the Future. © Lo Sguardo - rivista di filosofia, N. 23, 2017 (I) - Reinventare il reale. Jean Baudrillard (2007-2017).
- Cumming, E. (2014). “William Gibson: the man who saw tomorrow”. 28.07.2014, URL: https://www.theguardian.com/books/2014/jul/28/william-gibson-neuro-mancer-cyberpunk-books, Erişim Tarihi: 22.06.2020.
- Dağ, A. (2017). Hümanizmin Radikalleşmesi Olarak Transhümanizm, Felsefi Dü-şün, Ekim 2017, Sayı 9, ss. 46-68
- Dağ, A. (2018). Sinema ve Romanda Transhümanizm: “Blade Runner” Filmi ve “Neuromancer” Roman Örneği, RumeliDE Dil ve Edebiyat Araştırmaları Dergisi 1, ss. 89-98.
- Daley, S. (2014). Myth(re)making and Border Crossing: Exploring the Classical Predecessor. The Multiple Worlds of Fringe Essyas on the J. J. Abrams Science Fiction Series, (Eds). Tanya R. Cochran, Sherry Ginn & Paul Zinder, McFarland & Company, Inc., Publishers, Jefferson, North Carolina, 108-121.
- Demir, A. (2018). Ölümsüzlük ve Yapay Zekâ Bağlamında Trans-hümanizm, AJIT-e: Online Academic Journal of Information Technology, 9 (30), 95-104.
- Di Marco, O. A. (2006). Borges, the Quantum Theory and Parallel Universes. The Journal of American Science, 2 (1).
- Durston, S. & Baggerman, T. (2017). The Universe, Life and Everything…, Dia-logues on our Changing Understanding of Reality. Amsterdam University Press B.V., Amsterdam.
- Fuster, D. (2019). Qualitative Research: Hermeneutical Phenomenological Met-hod, Propósitos y Representaciones, 7 (1), 201-229.
- Gane, M. (1991). Baudrillard’s bestiary - Baudrillard and Culture. Routledge.
- Geraghty, Lincoln (2009). American Science Fiction Film and Television, Oxford, New York: Berg Publishers.
- Gibson, W. (2016). Neuromancer. (İlk Yayın Tarihi: 1984), Çev. S. Oğur, Altıkırkbeş Basın Yayın.
- Gibson, W. (1984). Neuromancer. Penguin Putnam Inc.
- Grazier, K. R. (2011). “Introduction”, Grazier, K.R. (eds.), Fringe Science: Parallel
- Universes, White Tulips, and Mad Scientists. Dallas, Ben Bella Books, ss: ix, xv.
- Horne, J. (2011). Is Reality digital or analog?. FXQI–2011, URL: http://www.iiis.org/Horne.pdf, Erişim Tarihi: 20.06.2020.
- Hoyle, F. (1993). The Origin of the Universe and the Origin of Religion. Moyer Bell: London.
- Hughes, J. J. (2012). THE POLITICS OF TRANSHUMANISM AND THE TECH-NO-MILLENNIAL IMAGINATION, 1626–2030, [Zygon, vol. 47, no. 4 (December 2012)], pp. 757-776.
- Huxley, J. (2015). Transhumanism. Ethics in Progress, Vol. 6, No.1, 12-16.
- Kamcke, C. & Hutterer, R. (2015). History of Dioramas. Chapter 2, © Springer Science+Business Media Dordrecht 2015, In S. D. Tunnicliffe, A. Scheersoi (Eds.), Natural History Dioramas, DOI 10.1007/978-94-017-9496-1_2.
- Leary, T. (2000). “The Siberpunk: Individual as reality pilot”. In Cybercultures Reader ed. Bell & Kennedy (London; New York: Routledge, 2000).
- Lévi-Strauss, C. (2011). Modern Dünyanın Sorunları Karşısında Antropoloji. Çev. A. Terzi, Metis Yayınları: İstanbul.
- Luhmann, N. (1992). The Concept of Society. Thesis Eleven, 31 (1), 67-80. McCormick, C. J. (2016). “There’s More Than One of Everything: Navigating
- Fringe’s Cofatual Multiverse”. Participations: Journal of Audience&Reception Studies, 13 (1), 584-598.
- Ochs, J. (2013). The Natural Definition of Reality. Aporia vol. 23 no. 2 — 2013.
- Person, L. (2005). Notes Toward a Postcyberpunk Manifesto. http://slashdot.org/ features/99/10/08/2123255.html.
- Porter, H. M. (2014). “You’re a Smart Boy. But There is Much You Don’t Know”. A Quantitative Examination of Intelligence, Wisdom and Family Relationship. The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series, McFarland & Company: North Carolina, 93-107.
- Pyle, F. (2000). Pyle, Forest. “Making Cyborgs, Making Humans: of Terminators and Blade Runners” in Cybercultures Reader. Bell, D. & Kennedy B.M. (ed). New York: Routledge: p. 132.
- Ravitch, F. S. (2000). Struggling with Text and Context: A Hermeneutic Approach to Interpreting and Realizing Law School Missions, St. John’s Law Review, Vol. 74, 2000.
- Ryan, M. R. (2006). From Parallel Universes to Possible Worlds: Ontological Plu-ralism in Physics, Narratology, and Narrative. Poetics Today 27: 4 (Winter 2006).
- Shin, C., Ha, W., Chung, W. & Park, S. (2012). Unresolvable human mental states based on a parallel universe theory. Advancements and Developments in Applied Mathematics, 1 (1), 18-29.
- Stewart, J. (2008). The Meaning of Life in A Developing Universe. This paper was delivered at the First International Conference on the Evolution and Deve-lopment of the Universe held in Paris on 8 & 9 October 2008.
- Sturgis A. (2011). “In Search of Fringe’s Literary Ancestors”. Grazier, K.R. (eds.), Fringe Science: Parallel Universes, White Tulips, and Mad Scientists, Dallas: Ben Bella Books,17-37.
- Thomas, D. D. (2011). “Paranormal is the New Normal”. Grazier, K.R. (eds.), Fringe Science: Parallel Universes, White Tulips, and Mad Scientists, Dallas: Ben Bella Books, pp. 1-16.
- Toerien, M. (2000). Boundaries in Siberpunk Fiction: William Gibson’s Neuro-mancer Trilogy, Bruce Sterling’s Schismatrix, and Neal Stephenson’s Snow Crash, Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts at the University of Stellenbosch.
- Van Dijk, J. (2016). Ağ Toplumu. Çev. Özlem Sakin, Kafka Yayınevi.
- Vaas, R. (1998). Is there a Darwinian Evolution of the Cosmos? Some Comments on Lee Smolinüs Theory of the Origin of Universes by Means of Natural Selec-tion. This paper is the extended version of a contribution to the MicroCosmos è MacroCosmos conference in Aachen, Germany, September 2-5 1998.
- Vijayakumar, M. R. (2018). Ultimate Physical Reality of the Universe. Journal of Modern Physics, 2018, 9, 387-394.
- Yacobi, B. G. (2013). The Human Dilemma Life Between Illusion and Reality. Journal of Philosophy of Life, 3 (3), 202-211.
- Walker Vásquez Del Aguila, J. & Postigo Solana, E. (2015). Transhumanism, neuroethics and human person, Rev. bioét. (Impr.) 2015; 23 (3 (Fringe, 2008-2013)), 503-10.
- Whirtworth, B. (2007). The Physical World as a Virtual Reality. CDMTCS Resear-ch Report Series, CDMTCS-316, December 2007.
- Wilcox, V. R. (2014). Women Agency: Dana Scully, Temperence Brennan and Olivia Dunham. In The Multiple Worlds of Fringe Essyas on the J. J. Abrams Science Fiction Series, 43-59, Eds. Tanya R. Cochran, Sherry Ginn & Paul Zinder, McFarland & Company, Inc., Publishers, Jefferson, North Carolina.
- Zinder, P. (2014). Nothing but Tech: Cyborgs and the Human Question. In The Multiple Worlds of Fringe Essyas on the J. J. Abrams Science Fiction Series, 31-42, Eds. Tanya R. Cochran, Sherry Ginn & Paul Zinder, McFarland & Company, Inc.
- https://imthatgeek.wordpress.com/2012/04/30/fringe-worlds-apart-never-clo-ser-to-home/. “FRINGE: WORLDS APART – NEVER CLOSER TO HOME”. Eri-şim Tarihi: 30.04.2012.
- https://tr.pinterest.com/pin/210543351305537739/, “OSOM #Fringe”. Erişim Tarihi: 02.10.2018.
- http://vsbattles.wikia.com/wiki/File:Fringe-observers-eoat.jpg, “Fringe-obser-vers-eoat.jpg”. Erişim Tarihi: 02.10.2018.
- Fringe (2008-2013). [Dizi]. Fox Broadcasting Company.
- Scott, R. (Director). (1982). Blade Runner [Sinema Filmi].
| APA | yegen c, ULUSOY N (2020). Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. , 60 - 79. 10.16878/gsuilet.604444 |
| Chicago | yegen ceren,ULUSOY NILAY Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. (2020): 60 - 79. 10.16878/gsuilet.604444 |
| MLA | yegen ceren,ULUSOY NILAY Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. , 2020, ss.60 - 79. 10.16878/gsuilet.604444 |
| AMA | yegen c,ULUSOY N Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. . 2020; 60 - 79. 10.16878/gsuilet.604444 |
| Vancouver | yegen c,ULUSOY N Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. . 2020; 60 - 79. 10.16878/gsuilet.604444 |
| IEEE | yegen c,ULUSOY N "Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine." , ss.60 - 79, 2020. 10.16878/gsuilet.604444 |
| ISNAD | yegen, ceren - ULUSOY, NILAY. "Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine". (2020), 60-79. https://doi.org/10.16878/gsuilet.604444 |
| APA | yegen c, ULUSOY N (2020). Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. İleti-ş-im, 32(32), 60 - 79. 10.16878/gsuilet.604444 |
| Chicago | yegen ceren,ULUSOY NILAY Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. İleti-ş-im 32, no.32 (2020): 60 - 79. 10.16878/gsuilet.604444 |
| MLA | yegen ceren,ULUSOY NILAY Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. İleti-ş-im, vol.32, no.32, 2020, ss.60 - 79. 10.16878/gsuilet.604444 |
| AMA | yegen c,ULUSOY N Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. İleti-ş-im. 2020; 32(32): 60 - 79. 10.16878/gsuilet.604444 |
| Vancouver | yegen c,ULUSOY N Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine. İleti-ş-im. 2020; 32(32): 60 - 79. 10.16878/gsuilet.604444 |
| IEEE | yegen c,ULUSOY N "Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine." İleti-ş-im, 32, ss.60 - 79, 2020. 10.16878/gsuilet.604444 |
| ISNAD | yegen, ceren - ULUSOY, NILAY. "Fringe ve Diorama Aracılığı ile Gerçeklik, Teknoloji ve Evren Üzerine". İleti-ş-im 32/32 (2020), 60-79. https://doi.org/10.16878/gsuilet.604444 |
