It is aimed in this article to show how the art and beautiful which is an important development step in Hegel s spirit philosophy has been positioned. It is also aimed to explain how Hegel s perspective into art practice and his discourse on the end of art have been grounded in its system. Should Hegel s discourse on the end of art be taken as a stimulus initiative of creative function of art, or has the art really come to an end? Thus, it is intended to discuss how discourse on the end of art has affected thinkers, artists, art historians, and what the positive or negative impacts of Hegel are in the modern art. For Hegel, who thinks that the art is first of all a matter of existence, it is attempted to explain by various art practices what kind of existence the arts and beauty are. Hegel who uses terms like artistic beauty and philosophy of art instead of aesthetics, liberated the art from all practical desires in its own dialectical philosophy for the investigation of the meaning and function of art almost in a sense of mission. In this regard, he provided the art to have its own purpose in itself and its autonomy, however, he mentioned that all this autonomy will find the final point in philosophy. In this article, it is presumed in this sense to show how Hegel places a great emphasis on the realization of the spirit in art and art objects and esteems it very highly.