The conferring which is between the lines of meanings as a rhetorical term has always been examined as an art under various names in rhetorical books. Considered to be on the top among the arts of “tevriye”, “iham”, “müşakele”, “mugâlata-i maneviyye”, “cinâs-ı manevî”; the Conferring has always been favored as an art of from the beginning of the first rhetoric books. Named in some of the rhetorical books as “îhâm and muhtemilü'z-zıddeyn” as well, it is based on a word or words that could be said to be essentially two opposite meaning in a sentence. The art of rhetorical includes also the probability of praise and satire of a disclosure. Since there is a close affinity with tevriye and iham, it is also seen that these both terms are mixed. This art has taken place in most of the rhetorical books and has been described to excerpt from each other. In Sekkâkî’nin Miftâhu’l-ulûm - one of the first and fundamental books of rhetorical art books- this art has been illuminated by the examples of the verses of Quran and subsequent books have adopted its description and examples by minor modifications. The name of this art, which was included most of the rhetorical books in the Ottoman Empire after Tanzimat era, has been mentioned about several ways in other books and in the examples given for that books, there has been differences. In this article, the information mentioned about this type of art in such books has been set forth in a comparative format